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Thursday, April 3, 2025
Witchfinder General: A Review
Wednesday, April 2, 2025
Godzilla Minus One: A Review (Review #1963)
Tuesday, April 1, 2025
Best Actress Retrospective: An Introduction
If we go by the Academy of Motion Picture Arts & Sciences, Mikey Madison is better than Greta Garbo, Irene Dunne and Deborah Kerr. How? This year, Madison won Best Actress for her performance in Anora. One wonders if Garbo would have won the Oscar if she had shaken her ass in Ninotchka. Perhaps if Dunne had simulated sex on screen in Love Affair, that Oscar would have been hers. For that matter, would Madison be able to play, now or in the future, the leads in Camille or I Remember Mama? This, of course, does not even count Myrna Loy or Maureen O'Hara, who were never even nominated once.
In the history of the Academy Awards, as of this writing 80 women have received a Best Actress Oscar. Katharine Hepburn currently holds the record for the most Best Actress Oscar wins at four, with Frances McDormand hot on her heels at three. Some of those wins have stood the test of time (Vivien Leigh in Gone with the Wind, Meryl Streep in Sophie's Choice, Julie Andrews in Mary Poppins). Some are pretty much forgotten (Luise Rainer's first back-to-back win for The Great Ziegfeld, Glenda Jackson's second win for A Touch of Class). Where will Madison's win eventually fall? Will her Anora be mentioned in the same breath as Olivia de Havilland for The Heiress or will it be as obscure as Joan Fontaine's win for Suspicion?
With that, I am embarking on something of a fool's errand. I will watch and review all 100 Best Actress Oscar winning performances (there was one case of a tie, and the first Best Actress winner won for three performances), starting backwards owing to the unavailability of some of the Oscar-winning films. You can't find everything on streaming.
I have already reviewed 48 performances as of this writing, which is not bad. I will, after the retrospective is complete, rank them to find the Ten Best, the Ten Worst, and the overall ranking for all our winners. I will go only by the performance itself, not who the competition was. That might come later, on a year-by-year basis.
With that, I now formally begin my Best Actress Retrospective.
Monday, March 31, 2025
The Trip to Bountiful: A Review (Review #1962)
This observation is not a slam on the film. Far from it: The Trip to Bountiful allows for the dialogue and the acting to have more of a focus due to that staging. It is, however, easy to see how the story originated on the stage given that it plays that way.
Friday, March 28, 2025
The Great American Pastime: A Review
THE GREAT AMERICAN PASTIME
Welcome to Rick's Texan Reviews Annual Opening Day Movie Review, where I look at a baseball-related film to coincide with the AAA Opening Day for the El Paso Chihuahuas. This year, I look at the funny frolics of Little League.
Long before we had the Bad News Bears, we had the Willow Falls Panthers. The Great American Pastime looks at the dangers of Little League Baseball, from pushy parents to dirty players. While essentially a B-film, The Great American Pastime has just enough charm to carry it over.
Bruce Hallerton (Tom Ewell) loves watching baseball, but he is not big on other things, such as his wife Betty (Anne Francis) or son Dennis (Rudy Dee). A surprise opportunity for father-son bonding comes up when a group of fellow attorneys ask him to be their Little League team manager. Unfortunately for Bruce, Dennis is placed on a rival Little League team. Still determined to make the best of it, Bruce continues managing the disastrous Panthers.
The poor record does not win him any fans among the Panthers' parents save perhaps for one: the luscious Doris Patterson (Anne Miller). This femme fatale of the Little League set always laughs at Bruce's jokes, invites him (and his family) to dinner and appears delighted to be near the plain Bruce. Betty clearly dislikes this black widow, much to Bruce's confusion. Bruce now has to content not only with Betty's growing green-eyed monster but Dennis adopting the questionable "win-at-all-costs" attitude the Tigers have. Will Bruce grow to bring at least one win to the hapless Panthers? Will he let Doris down easy? Will he get a big surprise from Doris and Betty?
The Great American Pastime is fully aware that it is meant to be a bit light. As such, I judge it on whether or not it entertained me and made me laugh. It did this mostly well.
What did surprise me was in how almost progressive The Great American Pastime is when it comes to adultery and sex. Granted it was a bit in double entendre and suggestions, but it worked quite well. Remarking on what he considers Doris' best attributes (raising a son as a widow), he says, "I take my hat off to her". Betty instantly fires back, "Please make sure that's all". After an outraged Doris crushes Bruce's dreams of a mistress, she informs him that she was only buttering him up to get a favorable position for her son Herbie. As she orders him out of her house, she gives him a parting shot. "Now run along and...play with your marbles".
Read that any way you like.
The Great American Pastime also features two black players. Sadly, we never heard from them or the parents, but I find it a step forward.
The performances range from the amusing to the tolerable. Tom Ewell is pleasant enough as Bruce, a put-upon man who creates his own disasters. Appropriately silly when working with Doris, he does not do so well when bemoaning his situations to Betty. Francis is a bit weak as Betty, but to be fair it was not a great part. The thought of Miller as this Little League temptress is amusing, more so given the plain-looking Ewell. However, she did quite well in the role. The Great American Pastime is also an early role for Dean Jones as the eager young coach. Bruce's voiceover description of Buck Rivers has one of Nathaniel Benchley's clever lines: "His teeth were so white they made me nervous".
We get a lot of amusing zingers in The Great American Pastime. Early on, Bruce describes his team as "a nest of midgets". Later on, he attempts to make Betty sympathetic to the black widow Doris by telling her that her husband "disappeared into the jungle". "What was he: a baboon?" she derisively responds. After a disastrous game, Dennis is talking about the results with the family dog, Smidgen. An irate Bruce asks that Dennis stop. "Why? You afraid he'll get your job?", Betty replies.
One thing that I think was a flaw was in having Ewell address us directly in the opening and closing. I think we could have done without the voiceovers too, though it is not a deal-breaker for me.
At a brisk 90 minutes, The Great American Pastime knows when to start and when to finish. A light affair, The Great American Pastime may not be great itself, but it is pleasant enough and fully aware.
2024 Opening Day Film: Mr. Baseball
2023 Opening Day Film: Angels in the Outfield (1954)
2022 Opening Day Film: Bull Durham
2021 Opening Day Film: Alibi Ike
2020 Opening Day Film: Mr. 3000
2019 Opening Day Film: Ladies' Day
2018 Opening Day Film: Fear Strikes Out
2017 Opening Day Film: Eight Men Out
Thursday, March 27, 2025
Venus (2006): A Review (Review #1960)
Tuesday, March 25, 2025
My Favorite Year: A Review
Television's early days were never so wild and outlandish as My Favorite Year, a wonderful and brilliant comedy with a bravura no-holds-barred performance from Peter O'Toole. My Favorite Year is a delightful romp, full of heart and joy but able to move you in its softer moments.
My Favorite Year is 1954 according to our protagonist, Benji Stone (Mark-Lynn Baker). Stone is the newest and youngest writer on television sketch comedy show Comedy Cavalcade, starring Stan "King" Kaiser (Joseph Bologna). Kaiser is abrasive, temperamental and prone to delusions of grandeur and insecurity. He also is not afraid of spoofing mob boss Karl "Boss" Rojek (Cameron Mitchell) with a series of comedy sketches about "Boss Hijack". Rojek does not like being openly mocked, but despite the danger that is the least of Kaiser's concerns.
That belongs to this week's Comedy Cavalcade guest star, matinee idol Alan Swann (Peter O'Toole). Swann is a drunk whose best years seem behind him. He delights in being scandalous, but he is also suave, charming and even insecure behind the bravado and swashbuckling derring-do. Benji, who is a massive Swann fanboy, dares to stand up to not just Kaiser but the equally loud and abrasive Comedy Cavalcade head writer Sy Benson (Bill Macy), insisting that Swann should not be replaced as the guest star. Kaiser, impressed by Stone's act of defiance, agrees to keep Swann in the show, provided that Stone keep his eyes on Swann. Stone won't be alone in trying to keep Swann out of trouble, for Swann's longtime New York chauffeur Alfie Bumbacelli (Tony DiBennedetto) is an old pro at keeping Mr. Swann from his most extreme behavior.
With that, Benji Stone and Alan Swann begin their weeklong adventures. Swann offers guidance in Stone's wooing of Comedy Cavalcade production assistant K.C. Dowling (Jessica Harper). Swann takes Stone to dinner at the Stork Club, where he helps Swann squire a pretty young thing. Stone also takes Swann to have dinner with his mother Belle Steinberg Carroca (Laine Kazan) and his stepfather, Filipino bantamweight boxer Rookie (Ramon Sison).
As the week comes close to ending, Swann and Stone learn more about each other. Despite his image, Swann is really at heart Clarence Duffy, a Scotsman who went AWOL from the British Navy with dreams of becoming an actor and managed to become a movie star. Stone reveals that he is really a Benjamin Steinberg, who does not hide his Jewish identity but is embarrassed by his family's behavior. On the day of the broadcast, Swann has swanned off to Connecticut in a failed effort to see his daughter Tess, whom he loves but is afraid to reconnect with. Will Alan Swann pull himself together enough to perform live in front of a studio audience, a prospect that terrifies him? Will Boss Rojek get back at King Kaiser literally on the air?
My Favorite Year is really about Stone's favorite week, as the story takes place in that short time period. Screenwriters Norman Steinberg and Dennis Palumbo (from a story by Palumbo) crafted a story that was in terms outlandish and heartwarming, where the characters can be crazed one moment, touching the next.
A good moment that shows how My Favorite Year balances absurdity with sincerity is when Benji takes Alan to the foreign land of Brooklyn for a Steinberg family dinner. We get a lot of Borscht Belt comedy when Aunt Sadie (Annette Robyns) pops in wearing her wedding dress, apparently oblivious as to how bonkers it looks. Even Belle looked shocked, and Belle is no shrinking violet, insisting on calling her guest both "Al" and "Swannee". As a bemused Swann looks on, Aunt Sadie comments that she's worn that dress only once before.
This scene has some funny moments, like when Benji scolds his mother for calling Swann "Al". "If I bring Jolson or Capone, you can call him Al", he says. Uncle Morty (Lou Jacobi) replies, "Jolson's coming?". However, we see what makes My Favorite Year so special: Peter O'Toole's performance. O'Toole as Swann here is unflappable and surprisingly respectful and respectable given the odd goings-on. He is gracious towards Benji's family, which is no small feat. When Uncle Morty brings up past sex scandals involving Swann, everyone else is appalled.
Swann, however, reveals the gentleman behind the rogue. Calmly answering Morty's question about his schtupping past, he says that the answer is no. Swann points out that people like him are targets, often accused of things that they did not do. However, he adds that because of who he is, he sometimes is allowed to get away with murder on other things, so in his mind, it balances out.
These types of scenes, where O'Toole reveals the gentleman and gentle man behind the swashbuckling persona, are a real acting treat. O'Toole certainly can do the broad farce and drunken pratfalls with great enthusiasm. He even has one of the film's best lines when he realizes, to his horror, that Comedy Cavalcade will not only be live but in front of a studio audience. As his panic grows into a frenzy, he ends his meltdown by shouting out, "I'M NOT AN ACTOR! I'M A MOVIE STAR!".
However, shortly afterwards, Benji finds Swann in the studio hallway. O'Toole shows Swann not as the plastered buffoon he's taken for, but as a frightened man, terrified of being a failure and not living up to the image that even he is not sure is real or fake. O'Toole showcases a range that is simply remarkable in My Favorite Year. One moment he can have you laughing at how outlandish he can be, like when he looks at a fire hose that he can use to try and shimmy down to a lower floor like a man who has discovered fire.
The next moment, you see him silently watching Tess come out of her mother's house. Staying in the car, we see the joy in seeing her fade into fear, him crouching back into the seat. It is a beautiful performance: funny, touching and knowing of this man, a charming, smooth and intelligent but roguish and undisciplined one. It is one of Peter O'Toole's greatest screen performances and an underrated one.
Everyone else in My Favorite Year is not up to O'Toole's level but they are pretty serviceable. Out of the rest of the cast, I would put DiBenedetto as the best, his Alfie very understanding of "Mr. Swann" and his pretty bonkers behavior. Mark-Lynn Baker is "introduced" in My Favorite Year, and I think he did well as Benji Stone/Benjamin Steinberg. He and O'Toole work well together, especially whenever Swann gets Benji's name wrong as either "Stoneberg" or "Stoneburger", which brings no reaction. He did not do so well when he was attempting to tone done his family's behavior, a bit too forced in my view.
Same with some of the other performances. They worked up to a point, but I feel conflicted in that I think that they were meant to be broad but somehow still did not fully work. Bologna was a strange figure: sometimes not funny but exaggerated, other times fine. As a side note, the two comedy sketches shown as part of Comedy Cavalcade (the Boss Hijack sketch and the musketeer sketch meant to spoof Swann's persona) were not funny at all.
Still, it is a credit to director Richard Benjamin that My Favorite Year rolled pretty smoothly. I hope that people will watch and remember My Favorite Year for being more than Peter O'Toole's seventh Best Actor nomination. It is a fun, nostalgic homage to early television and how our cinematic heroes may be more real than we think.